B8 Art I And Art Ii Scopes

The ART has a commercially procured 3- to 9-variable-power telescopic scopesight, modified for use with the sniper rifle. This scope has a modified reticle with a ballistic earn mounted to the power adjustment ring on the ART I (Figure B-4). The ART II (Figure B-5) has a separate ballistic cam and power ring. The ART is mounted on a spring-loaded base mount that is adaptedto fit the M14. It is transported in a hard carrying case when not mounted to the rifle. The scopes on the M21 sniper weapon system can also be used for rough range estimation. Once the sniper team is familiar with the M21 and is accustomed to ranging out on targets, it makes a mental note of where the power adjust ring is set at various distances.

POWER POWER RING RING LOCK

ELEVATION TURRET

OBJECTIVE LENS

BALUSTIC CAM

POWER POWER RING RING LOCK

ELEVATION TURRET

OBJECTIVE LENS

BALUSTIC CAM

a. Magnification. The ART's increased magnification allows the sniper to seethe target clearly.

(1) The average, unaided human eye can distinguish detail of about 1 inch at 100 meters (1 MOA). Magnification, combined with well-designed optics, permit resolution of this 1 inch divided by the magnification. Thus, a 1/4 MOA of detail can be seen with a 4-power scope at 100 meters, or 1 inch of detail can be seen at 600 meters with a 6-power scope.

(2) The lens surfaces are coated with a hard film of magnesium fluoride for maximum light transmission.

(3) The elevation and windage turrets have dials on them that are located midway on the scope barrel and are used for zeroing adjustments. These dials are graduated in .5 MOA increments.

(4) These telescopes also have modified retitles The ART I scope has a basic cross hair design with two horizontal stadia lines that appear at target distances, 15 inches above and 15 inches below the horizontal

B-11

line of the reticle (Figure B-6). It also has two vertical stadia lines that appear at target distance, 30 inches to the left and 30 inches to the right of the vertical line of the reticle. The ART II scope reticle (Figure B-7) consists of three posts: two horizontal and one bottom vertical post. These posts represent 1 meter at the target's distance. The reticle has a basic cross hair with two dots on the horizontal line that appear at target distance, 30 inches to the left and 30 inches to the right of the vertical line.

Figure B-6. ART I reticle. Figure B-7. ART II reticle,

(5) A ballistic cam is attached to the power adjustment ring on the ART I scope. The ART II scope has a separate power ring and ballistic cam.

(6) The power ring on both scopes increases and decreases the magnification of the scope, while the ballistic cam raises and lowers the scope to compensate for elevation.

(7) Focus adjustments are made by screwing the eyepiece into or away from the scope barrel until the reticle is clear.

b. Scope Mounts. The ART mounts are made of lightweight aluminum consisting of a side-mounting plate and a spring-loaded base with scope mounting rings. The scope mount is designed for low-profile mounting of the scope to the rifle, using the mounting guide grooves and threaded hole(s) on the left side of the receiver. The ART I has one thumbscrew that screws into the left side of the receiver (Figure B-8). The ART II mount has two thumbscrews; one is screwed into the left side of the receiver, and the other is screwed into the cartridge clip guide in front of the rear sight (Figure B-9).

c. Design and Operation. The ART scopes are designed to automatically adjust for the needed elevation at ranges of 300 to 900 meters. This is done by increasing or decreasing the magnification of the scope until a portion of the target's image matches the represented measurement of the scope's reticle.

(1) For example, the power ring on the ART I scope can be adjusted until 30 inches of an object or a person's image (beltline to top of head) fits exactly in between the horizontal stadia lines (top stadia line touching top of the head and bottom stadia line on the beltline).

(2) Another example is to adjust the power ring on the ART II scope until 1 meter (about 40 inches) of a person's or an object's image appears equal to one of the posts in the reticle.

(3) When turning the power ring to adjust the target's image to the reticle, the sniper is also turning the ballistic cam. This raises or lowers the scope itself to compensate for elevation. Therefore, once the scope's magnification is properly adjusted in proportion to the target's image, the ballistic cam has at the same time adjusted the scope for the proper elevation needed to engage the target at that range.

(4) The ART II scope has a locking thumbscrew located on the power ring used for connecting and disconnecting the power ring from the ballistic cam. This allows the sniper to adjust the scope on target (auto-ranging mode), and then disengage the locking thumbscrew to increase magnification (manual mode) without affecting the elevation adjustment.

d. Zeroing. The ART scope should be zeroed at 300 meters. Ideally, this should be done on a known-distance range with bull's-eye-type targets. When zeroing the ART scope (Figure B-10), the sniper—

(1) Removes the elevation and windage caps from the scope.

(2) Turns the power adjustment ring to the lowest position. On the ART II scope, ensures that the locking thumbscrew is engaged and that the ballistic cam moves when the power ring is turned.

(3) Assumes a good prone-supported position that allows the natural point of aim to be centered on the target.

(4) Fires three rounds, using good marksmanship fundamentals with each shot.

(5) Makes the needed adjustments to the scope after placement of the rounds has been noted. He is sure to remember—

(a) That each mark on the elevation and windage dials equals .5 MOA (.5 MOA at 300 meters equals 1.5 inches.)

(b) That turning the elevation dial in the direction of the UP arrow will raise the point of impact; turning it the other direction will lower it.

(c) That turning the windage dial in the direction of the R arrow will move the point of impact to the right; turning it the other direction will move it to-the left.

WINDAGE SCALE - INTERNAL ADJUSTMENT RIGHT SIDE
ELEVATION SCALE - INTERNAL ADJUSTMENT TOP

Figure B-10. Elevation and windage scales.

(6) Repeats the steps in paragraphs (4) and (5) above until two 3-round shot groups are centered on the target.

After the scope is properly zeroed, it will effectively range on targets out to 900 meters in the auto-ranging mode.

e. Zeroing and Calibrating of the M21 Iron Sights.If the telescope is damaged, the sniper must use his backup sighting system-iron sights. Due to time constraints, it may be impossible or impractical to search through the data book to determine the needed elevation setting to engage a target at a specific range. Once the elevation dial has been calibrated to the sniper's individual zero for that particular rifle, targets can be engaged anywhere between 0 and 1,080 meters by using index lines.

(1) The index lines on the elevation dial designate hundreds of yards to the target. Every other line is numbered with an even number, lines in between are the odd hundreds of yards-that is, the line marked with a number "2" is the 200-yard index line. The index line between the numbers 2 and 4 is the 300-yard index line. If the distance to the target is not in exact hundreds of yards, the elevation dial should be clicked between index lines to approximate the distance. If the target distance is less than 100 yards, the 100-yard setting should be used-the difference in impact is minimal.

(2) To calibrate the elevation dial, the sniper must first zero the rifle at a known distance that correlates to one of the index lines on the elevation dial. (The recommended distance is 300 yards.) Once zeroing is completed, calibration involves the following steps:

STEP 1: Turn the elevation dial forward (down, away from the sniper), and move the rear sight aperture assembly to its lowest setting (mechanical zero), counting the number of clicks. This number of clicks is elevation zero and must be remembered for use in the calibration process—for example, the number will be 10 clicks.

STEP 2: Loosen the screw in the center of the elevation dial using a dime or screwdriver (about one turn) until the dial can be rotated forward Be careful not to loosen the screw too much or it may fall and become lost. It is critical that once the screw is loosened to never rotate the elevation dial clockwise (up or toward the sniper) during calibration. This could result in improper calibration.

STEP 3: Turn the elevation dial forward (down, away from the sniper) until the index line on the receiver lines up with the index line on the dial that correlates to the distance at which the rifle was zeroed-for example, 300 yards. This is the index line between 2 and 4.

If the setting is passed (even by one click), rotate the elevation dial counterclockwise (down, away from the sniper) until the index lines match up. Never rotate the dial in the UP direction (clockwise, toward the sniper) with the screw in the elevation dial loose.

STEP 4: Remember the number of clicks (for example, 10) when zeroing the rifle and begin rotating the elevation dial counterclockwise (down, away from sniper). Count the clicks until the elevation dial has been rotated the same number of clicks that were on the rifle when zeroed. If too many clicks are used, start over at Step 3.

STEP 5: Now, hold the elevation dial, being careful not to allow it to rotate, then tighten the screw in the center of the elevation dial as tight as possible. Hold the elevation dial carefully with a pair of pliers to ensure the screw is tight.

STEP 6: To check the calibration, rotate the elevation dial to mechanical zero (all the way down), then count the number of clicks to zero. This should result in the index line on the receiver being lined up with the correct index line on the elevation dial (between 2 and 4). If this happens, the rear sight is now calibrated for elevation. If not, repeat Steps 1 through 5.

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